childhood

IMG_3109When did we forget to spin the dream, when did our world cease to hold small promises of meaning and adventure, a life time of stories still to be told? How did we grow up to forget the sensual richness of the world, the intense pleasure we can find only in simple things and moments? When did we cease to live today in order to reach for a tomorrow that we never truly know will exist – and if it does, it comes only to be given up and traded in for yet another tomorrow until there is no tomorrow left? When did we start squandering our present moments for squalid projections of who we could be if only? When did we tire of that what we have , right here and right now, the word, the discovery of nothing and everything, the breath of boredom and adventure alike?

a very small portrait of a marriage

日本語: 日本で開催された第12回国際鳥類保護会議を記念する朱鷺を描く切手。
日本語: 日本で開催された第12回国際鳥類保護会議を記念する朱鷺を描く切手。 (Photo credit: Wikipedia)

 

They never talked to each other of their feelings. After a while it was difficult to say whether they didn’t talk because they didn’t want to deepen the grief in the other, whether they were anxious that even the one person they shared their grief with would not be able to relate to its depth or even feel hurt by it – or whether it was because they were guarding their own grief with a certain possessive jealousy. The spring changed their marriage. It was the first time they did not talk to each other about something that kept their minds occupied.  It became more difficult to talk about the daily life as well.

 

Thus they were quiet in each other’s company. Iris was dedicating herself to creating miniature watercolors, none of them larger than the palm of a woman’s hand, some as small as a postal stamp. She used the finest brushes and worked deliberately slow. She had perched a nature encyclopedia on the kitchen table and truthfully to nature had copied illustrations of small insects and birds, placing them in imaginary and impossible landscapes filled with a soft green light that on better days implied a spring day, on days of more severe depression dark and damp shadows.

the mirror land

the mirror land

there was a gate and there was none. to step forward required no courage just a lion’s heart. beyond it was the mirror land. hares parading on their hind legs, walking canes in their pretentious front paws as was to be expected. what else? i could not see enough from where i stood. i stepped through.

once through, the scene changed just as i had suspected it might do (but had hoped against my better judgment it would not). no green bucolic scenes, no childhood dreams. there was another gate and not a gate, a foot of grey no-mans land between realities, not more. i stepped through the second gate, as if one step mandated two, oh, what a fool i was!

beyond the gate there was bright blindness, no object, no surface, no orientation, no gravity – not dream, not reality, a blindness that did not originate in the eye’s inability to see what was there, there was nothing. there was no gate, there was no path, but in the brightness, invisible, the pretentious hare, checked his silver time piece smugly, and i did not know how i knew he did.

then i heard it fall, the silver time piece, fall with a dampened thud that sent shivers down my spine. i felt the rabbit searching for it like a blind man, paws frightfully extended, and suddenly i understood why i could see the hare with unseeing eyes. when i had stepped through the second gate i had turned inside out, and the rabbit was trapped within.