a very small portrait of a marriage

日本語: 日本で開催された第12回国際鳥類保護会議を記念する朱鷺を描く切手。
日本語: 日本で開催された第12回国際鳥類保護会議を記念する朱鷺を描く切手。 (Photo credit: Wikipedia)

 

They never talked to each other of their feelings. After a while it was difficult to say whether they didn’t talk because they didn’t want to deepen the grief in the other, whether they were anxious that even the one person they shared their grief with would not be able to relate to its depth or even feel hurt by it – or whether it was because they were guarding their own grief with a certain possessive jealousy. The spring changed their marriage. It was the first time they did not talk to each other about something that kept their minds occupied.  It became more difficult to talk about the daily life as well.

 

Thus they were quiet in each other’s company. Iris was dedicating herself to creating miniature watercolors, none of them larger than the palm of a woman’s hand, some as small as a postal stamp. She used the finest brushes and worked deliberately slow. She had perched a nature encyclopedia on the kitchen table and truthfully to nature had copied illustrations of small insects and birds, placing them in imaginary and impossible landscapes filled with a soft green light that on better days implied a spring day, on days of more severe depression dark and damp shadows.

The stone mason

The stone mason

He had seen them in the far off distance of the long street that moved towards the shop. Something in their movement had caught his attention. Two tall men moving oddly synchronically, not just the spacing and timing of the steps but all of their body movements seemed synchronized to exact, mechanical elegance. Both were dressed in black suits but wore no shirts. It was this odd detail that convinced him that they were coming to see him. Two men in black suits without shirts. Their faces were of a faint grey with sharp contours, very similar to each other like fraternal twins, their hair of the same shimmering raven black, held back with a tight ponytail. The suits accentuated their movements in the subtle way only an expensive fabric would and that could be mistaken for the confidence of its owner.
Both had light, almost dancing steps, yet one of them was clad in heavy, dusty work boots, the other in leather strap sandals. Upon entering his small front yard they parted ways and, abandoning their synchronical steps, started inspecting the sculptured that populated the yard, each on his own. He knew then that they had not come to commission a funerary stone. One of them bent over the mirror of the black granite and gravely studied his own reflection. Turned sideways and slightly stooped over, his shoulder blades protruded sharply under the fine fabric of his suit. His partner was reading the inscription on Linus Lindvall, as if he had been asked to pay special attention to it and was just now recording his impressions in his unfailing mind. The stonemason felt cold. He noticed that the sky had changed from a gay cerulean blue to a diffuse silver grey glare. He squinted his eyes.